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STILL LIVES
 
     
Inspired by film stills taken from Indian Cinema of the 1940's to 1950's, the Still Lives series disrupts the standard linear construction of the film narrative. Each of the isolated photographic images are striped to its most minimal. Manipulating and distorting production and publicity snapshots in the darkroom re-contextualizes the traditional song and dance musicals of the period. Divisions between film genres blur as comedies become dramas, revealing a darker, more subversive critic of the over the top, popular entertainment.
M
 
     
The M series combines imagery from 16th century miniature style paintings and classic Indian textile designs that have been reworked by hand in the art studio. This blend of archaic refinement and contemporary simplicity creates a balance that erases temporal boundaries between antiquity and the present. An alternative history is invented within each unique piece. The artist's fascination with the intricate details and techniques of artistic Indian expression that has continued over the centuries provides unlimited opportunities for contemporary re-interpretation.
DANCES OF INDIA
 
     
A one-of-a-kind series of mixed media artworks. This unique series was created to display a contemporary view of India's rich, ancient heritage. Forty-five artworks, created on paper using traditional techniques ranging from hand made stencils, painting, and drawing. The artworks depict different forms of classical Indian Dance.
SWEETSHOP
 
     
A new multi-media, mobile art installation. Reinventing select vestiges from India’s vast artistic, cultural, and religious traditions within a contemporary context, The Sweet Shop is a mobile art installation that takes place throughout the exterior and interior of a refurbished school bus. The project’s premise involves using the universal language of art as a “vehicle” for sharing the artist’s perspective on vibrant aspects of Indian culture with a broad audience by taking art OUT of the gallery and INTO the streets. For the last few years, Pratima Naithani has traveled to different regions of India, from north to south, drawn to the relationship of sweet shops and truck art as vivid, colorful barometers of Indian street culture, finding commonality in their sensory appeal as fertile forms for creative expression. Her documentation of these experiences in the form of photographs, video, and sound samples have been translated into a series of 21 mixed-media works (uv digital digital silkscreen on canvas, acrylic painting with mirror work applied to the canvas) ranging from 2ft x 3ft to 3ft x 5ft. For more information on The Sweet Shop, please visit www.pratimanaithani.com/sweet.